Well, that’s that, and so * SPOILERS FOR ALL OF S04 AND THE ENTIRE SERIES FROM HERE *
It’s hard for this series to not be enjoyable, and so the season mostly was, but it was the weakest of the four seasons overall. Several of the characters, like Nora and Esteban, were sent down irrelevant side quests to give them something to do, and the show really had no idea what to do with characters like Diane and Chad now that Diane no longer owned the resort. But it was always going to give everyone in the past and present a happy ending, and so it had to keep them all around in order to do so. Fair enough.
I thought the finale was sweet, but more superficially so than the genuine feels the show has elicited at other times in the past (including once just earlier this season, in the hospital after Esteban’s heart attack). Of course adult Maximo and Julia got back together — but it rang somewhat false, because we really haven’t seen any signs of change in Maximo even as an adult, and just giving Julia a symbolic blank sheet of paper doesn’t mean he has changed. I mean, he just spent the entire season rebuilding Las Colinas attempting to get her back, which is hardly the sign of a guy without his own agenda.
Maximo, really, is kind of the main problem with the series, especially in the latter two seasons. At every turn, he makes the wrong decisions and does the wrong things, yet consistently fails upwards, gets forgiven by everyone, and is purported to be on his way. He gets the head of operations job and is clueless about it throughout, usually getting bailed out by others; barely pulls off a scam to get the Miss Universe pageant there and then makes a hash of that, on and on, and then is poached by Vera‘s brother and called by Vera himself his ”best employee”, and on and on. Only at the very end where Maximo unrealistically leverages himself into an ownership stake in the new resort do we get the very first glimpse of the business tycoon he is to become — and it’s a level of calculation he’s never before displayed, and an opportunity he’d never actually get from his actual performance, so it rings hollow.
In earlier seasons, I wrote about how one of the cool things about the show was the dark undercurrent in all the sunshine. Maximo, as he told Hugo, was despised in the present day by all the people we were watching in the past. The storytelling was theoretically leading up to how that came to be. I suppose, pragmatically, we were never really going to see that, because the show would have to end that way, and it’s too sunny (and also a comedy) to do so. But, aside from Julia, we never saw any hint of that, aside from a brief moment this season where the whole staff was mad at him over being on strike and him turning down a solid settlement offer (another mistake). But that fracture was mended in minutes of airtime and we never got back to the idea that he may have screwed them all over on the way to the top. Maybe the idea, to the extent the show even wants us to remember the original premise, is that he took the staff to the new resort (as he told Vera’s brother he would do), and he treated them badly there.
Those complaints aside, I’ll take the pleasures of this finale and final season where I can get them. I think the sweetest part of the entire finale was with two secondary characters, Sara and Esteban, at the airport — when she hugged him and told him she never would have achieved going off to US college if not for him. Those two played it very well, and it was a bit of emotion the show did put the ground work in to earn. I also liked that even though the episode teased the mural reveal, it didn’t actually stage one, instead letting us see it in the background of the dinner party: the characters of the past on the wall joining the characters of the present at the table, all together for the first time in the last scene of the show. Lovely way to end it.